Ebook Free Theatre of the Oppressed, by Augusto Boal
Ebook Free Theatre of the Oppressed, by Augusto Boal
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Theatre of the Oppressed, by Augusto Boal
Ebook Free Theatre of the Oppressed, by Augusto Boal
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Amazon.com Review
Is the fundamental relationship between an actor and an audience an equal and active one, or is it a situation that encourages passivity and division? This is the question at the heart of Augusto Boal's revolutionary Theatre of the Oppressed, originally published in 1979. Boal, a Brazilian artist and activist, has written a work that challenges the very premise of Western theater, starting with Aristotle and the first dramatists, and explores what social constructs lie behind the traditional theater form. Then, having explained such often invoked (but rarely scrutinized) terms as imitation, tragedy, and justice, he puts forward a new type of drama that bridges the long-existing gap between theater and politics. Central to his thesis is an attempt to bring spectators into an active role with the drama, encouraging them to comment on the social situations they see presented and suggest potentials for change. Other chapters explore the writings of Hegel and Brecht, along with a lengthy analysis of one of the most profound political thinkers to ever pen a play, Machiavelli and his bitter comedy Mandragola. Boal's book is a challenging one for American actors often politically naive and heavily schooled in the traditions of Stanislavsky-based "naturalism," but this text is vital reading for activists, progressives, and all artists trying to effect social change. --John Longenbaugh
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Product details
Paperback: 208 pages
Publisher: Theatre Communications Group; Tcg ed. edition (January 1, 1993)
Language: English
ISBN-10: 0930452496
ISBN-13: 978-0930452490
Product Dimensions:
5.5 x 0.6 x 8.5 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#109,933 in Books (See Top 100 in Books)
One of the most important questions you need to consider as an artist is the relationship between the work, and the audience. Boal provokes the question masterfully, and even if you don't agree with his thesis - that the "Aristotelian" approach, in which the audience is there to be manipulated and emotionally purged, and that theatre should rebel against this authoritarian relationship - he raises the question clearly. This is a book you should read, argue with, and discuss.
Anyone who cares more about the theatre than they do about money, stars, star writers or directors, or the cult of personality that would have us believe that theatre is just entertainment, needs to read this book.
Anyone interested in understanding how theater and, by extension, film and televison play a vital role in maintaining the status quo, should read Auguto Boal's book. Boal takes readers on a stroll through the history of drama, philosophy and politics, merging the three artforms into a powerful triumvirate. Boal then offers suggestions for a theater to counteract traditonal cultural ideological aparatuses. Theater of the Oppressed describes a theater of, for and by the oppressed to tell their own stories; a space wherein maginalized people's might reflect on their own concrete realities and contradictions; and an arena of practice in action, moving the oppressed, and those who identify with the oppressed, towards social transformation.
Very thorough and interesting good handbook for practitioners of community theatre
I need to buy more because everyone I lend this to wants to keep it.
Buy this. I know that isn't a sentence but wow. This is a life changing work. If you care the minutest bit about theatre, mankind, and the future of both (together and seperate) then feast here. Also, a side benifit is listening to Boal argue AGAINST The Poetics. Good stuff. The begining is a little slow because he begins by very carefully setting up examples and definitions before he begins to explain his actual work and theory. This is nessisary and impressive (citing some ancient Greek philosophers to whom I had never been introduced). I think this book handed me some special x-ray glasses to look through the clothing of our contemporary American theatre. Get yourself a pare.
Where media literacy should begin. The best resource, right next to Roland Barthes' "Mythologies".
After teaching theatre for over 30 years, immersed in western theatre ideals, Boal's theories shifted my way of thinking upside down. He takes Aristotle's Poetics and makes a great argument against the politics/agenda of traditional approaches in theatre. Then shares his own "Poetics of the Oppressed"--using theatre as a weapon against the oppressions all of us face.
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